Dry

/Dry
  • Priced for everyday use, the 100% cotton watercolor paper is of quality equal to far more expensive sheets. Popular with artists ranging from beginners to professionals, this heavyweight cold pressed paper was created with the painter in mind! ACID FREE Weight: 140 lb. (300 g/m2) Color: Natural white Surface: Cold pressed, textured Media: Watercolor, gouache, pencil, pen, marker, crayon, charcoal, and pastel Options Available: Sheet packs
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  • Priced for everyday use, the 100% cotton watercolor paper is of quality equal to far more expensive sheets. Popular with artists ranging from beginners to professionals, this heavyweight cold pressed paper was created with the painter in mind! ACID FREE Weight: 90 lb. (200 g/m2) Color: Natural white Surface: Cold pressed, textured Media: Watercolor, gouache, pencil, pen, marker, crayon, charcoal, and pastel Options Available: Sheet packs
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  • Cold pressed sheet composed of 100% cotton. The European milled paper is of immense quality and can handle even the some of the heaviest washes. ACID FREE Weight: 140 lb. (300 g/m2) Color: Natural white Surface: Cold pressed and toothy Media: Pencil, pen, charcoal, pastels, watercolor, and acrylic Journal Qualities: Double wire binding creates a flat surface, allowing the art to flow across the page. Sturdy black chipboard cover can be personalized with acrylics to make your journal as distinctive as your artwork! Perfect for field work and micro-perforated for easy sheet removal. Proudly made in the USA.
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  • 100% Recycled Brown Bogus Rough Sketch paper is chemical free and completely biodegradable. The toned sketch paper provides excellent juxtaposition when using light and dark media. Weight: 70 lb. (114 g/m2) Color: Brown Surface: Rough Media: Pencil, charcoal, pastel, and artist crayon Journal Qualities: Double wire binding creates a flat surface, allowing the art to flow across the page. 100% recycled heavyweight cover can be personalized however you choose! Proudly made in the USA.
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  • This sketchbook contains neutral pH archival quality charcoal paper. The exquisite jet-black paper has a strong laid finish which is allows light media to pop in ways that can't be accomplished on white paper. ACID FREE Weight: 64 lb. (104 g/m2) Color: Black Surface: Dual-sized, pronounced texture Media: Charcoal, crayon, chalk, and pastel Journal Qualities: Double wire binding creates a flat surface, allowing the art to flow across the page. 100% recycled heavyweight cover can be personalized however you choose! Proudly made in the USA.
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  • Archival quality, cold press surface is receptive for watercolor and gouache. Versatile sheet adapts to a variety of watercolor techniques. Well sized rough surface with maximum wet strength. An often overlooked aspect of Bee watercolor paper is its ability to accept an incredible range of mixed media, both wet and dry. ACID FREE Weight: 140 lb. (300 g/m2) Color: Natural white Surface: Cold pressed, textured Media: Watercolor, gouache, pencil, pen and marker, crayon, charcoal, and pastel Options Available: Tape bound pads Made in Canada.
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  • Archival quality, cold press surface is receptive for watercolor and gouache. Versatile sheet adapts to a variety of watercolor techniques. Well sized rough surface with maximum wet strength. An often overlooked aspect of Bee watercolor paper is its ability to accept an incredible range of mixed media, both wet and dry. ACID FREE Weight: 90 lb. (190 g/m2) Color: Natural white Surface: Cold pressed, textured Media: Watercolor, gouache, pencil, pen and marker, crayon, charcoal, and pastel Options Available: Tape bound pads and roll Made in Canada.
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  • Uniquely textured, pebble like surface for shading and blending. Excellent for detailed cartooning, sketching and drawing. Porous surface texture mimics feel of skin, making it ideal for designing and practicing tattoos. ACID FREE Weight: 132 lb. (216 g/m2) Color: Natural white Surface: Pebbled texture Media: Soft pencil, crayons, charcoal, and pastel Options Available: Tape bound pads and sheet packs Proudly made in the USA.
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